What Morrison has attempted with New X-Men is an inoculation. He injected the series with all the old viruses--Magneto, Sentinels, evil twins, dystopian futures, the Phoenix, Weapon X, the Shi'ar Empire--but in altered forms that showed them for the diseases they had become. They worked in the past, but now they keep the X-Men idea from progressing--they keep the mutants locked in an endless series of battles and reworkings of past ideas. Morrison's New X-Men is one last shot of all the old tropes, a chance for the characters and the readers to build antibodies against them so they can't come back. So the X-Men can evolve out of the superhero box they were shoehorned into (given what has been revealed so far of Marvel's post-Morrison plans, there’s only a slim chance of this actually happening). And Morrison's not just talking about the old superhero saws of pacifism vs. violence and should-we-kill? vs. we-shouldn't-kill; he’s talking about the aggression at the very core of superhero comics. Superhero fights started as metaphors, but now they refer only to themselves, and the only progress made is in the level of graphic detail. The idea of the superman, New X-Men tells us, has the potential for much more than just an excuse for earth-shattering wrestling matches. We created the supermen, and there is still more we can learn from them, just as they are capable of more--even something as profound and simple as love.
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